Tuesday, December 04, 2007
Name calling in SLN
Medal of Honor Heroes 2 - Gesture Trailer
Trailer: Experience WWII with an all new Wii-mote control scheme!
GameTrailers commenter: For once a Wii control scheme that actually looks intuitive and intricate as opposed to gimmicky. Ill be picking this up tomorrow
Lehmann's Perfect Finger Camouflage
Offside Bundesliga: When confronted Lehmann said: “It’s nonsense. I’ve never done anything like that”. It supposedly happened after one of Lehmann’s risky trademark excursions outside of the box, during the Germany - Cyprus match on Saturday (4-0). The crowd in Hannover started Robert Enke chants. Enke happens to be Hannover’s goalkeeper and Jogi Löw’s current third choice behind Lehmann and Hildebrand.Lehmann, whose workout was also a bit ambiguous for some, has shown himself a true master of the camouflaged gesture. Playing into people's increased sensitivity he manages to insult those he wants to insult, while he can claim innocence in public. Bravo, a perfect grasp of the perception of insults. Much better than Joe Nedney, who got a $7.500 fine (which is average, see these other fines for similar offences) for his lousy camouflage attempt: Clearly the man is scratching his head (source) The only examples I have of an even more subtle camouflage is when a man painted an abstract work of art, a huge cactus, on the side of his house facing his (complaining) neighbors. They were highly offended, but he got away with it (and eventually removed it).
The Acceptability of Sign Manipulations
Gestures are Sterile, Touching is not
Press Release: Non-contact image control As if by magic, the three-dimensional CAT scan image rotates before the physician’s eyes – merely by pointing a finger. This form of non-contact control is ideal in an operating room, where it can deliver useful information without compromising the sterile work environment. The physician leans back in a chair and studies the three-dimensional image floating before his eyes. After a little reflection, he raises a finger and points at a virtual button, likewise floating in the air. At the physician’s command, the CAT scan image rotates from right to left or up and down – precisely following the movement of his finger. In this way, he can easily detect any irregularities in the tissue structure. With another gesture, he can click on to the next image. Later, in the operating room, the surgeon can continue to refer to the scanner images. Using gesture control to rotate the images, he can look at the scan of the patient’s organs from the same perspective as he sees them on the operating table. There is no risk of contaminating his sterile gloves, because there is no mouse or keyboard involved. But how does the system know which way the finger is pointing? “There are two cameras installed above the display that projects the three-dimensional image,” explains Wolfgang Schlaak, who heads the department at the Fraunhofer Institute for Telecommunications, Heinrich-Hertz-Institut HHI in Berlin that developed the display. “Since each camera sees the pointing finger from a different angle, image processing software can then identify its exact position in space.” The cameras record one hundred frames per minute. A third camera, integrated in the frame of the display, scans the user’s face and eyes at the same frequency. The associated software immediately identifies the inclination of the person’s head and the direction in which the eyes are focused, and generates the appropriate pair of stereoscopic images, one for the left eye and one for the right. If the person moves their head a couple of inches to the side, the system instantly adapts the images. “In this way, the user always sees a high-quality three-dimensional image on the display, even while moving about. This is essential in an operating theater, and allows the physician to act naturally when carrying out routine tasks,” says Schlaak. “The unique feature of this system is that it combines a 3-D display screen with a non-contact user interface.” The three-dimensional display costs significantly less than conventional 3-D screens of comparable quality. Schlaak is convinced that “this makes our gesture-controlled 3-D display an affordable option even for smaller medical practices.” The research team will be presenting its prototype at the MEDICA trade fair from November 14 to 17, 2007, in Düsseldorf (Hall 16, Stand D55). Schlaak hopes to be able to commercialize the system within a year or so.Things like this are probably the best bet for the near future of gesture recognition. Niche applications that exploit some specific benefit of using gestures instead of (or besides) other, more mundane interface technology. The biggest hit in gesture land is without a doubt the Nintendo Wii, which exploits another unique selling point of gestures: a higher (or more representative) physical involvement leading to a better 'experience' of a game. It specifically targets gamers who are interested in fun and exercise in a social context. I doubt that hardcore gamers, intent on getting to higher levels of killing sprees, will be very keen on the Wii. And so it will probably remain for the near future. Like with speech recognition, gesture recognition will have to find some nice niches to live in and multiply. Maybe one day, the general conditions will change (ubiquitous camera viewpoints? intention-aware machines?) and gesture can become the dominant form of HCI, driving buttons to niche applications. I wouldn't bet on it right now, though.
Monday, November 05, 2007
Larry Craig's Cottaging Gestures
In Memoriam: Washoe
Future President's Gesture?
Thursday, October 11, 2007
A Case of Co-Speech Gestures
From the McNeill lab: A misconception has arisen about the nature of the gesture categories described in Hand and Mind, to wit, that they are mutually exclusive bins into which gestures should be dumped. In fact, pretty much any gesture is going to involve more than one category. Take a classic upward path gesture of the sort that many speakers produce when they describe the event of the cat climbing up the pipe in our cartoon stimulus. This gesture involves an iconic path-for-path mapping, but is also deictic, in that the gesture is made with respect to an origo --that is, it is situated within a deictic field. Even "simple" beats are often made in a particular location which the speaker has given further structure (e.g. by setting up an entity there and repeatedly referring to it in that spatial location). Metaphoric gestures are de facto iconic gestures, given that metaphor entails iconicity. The notion of a type, therefore, should be considered as a continuum --with a given gesture having more or less iconicity, metaphoricity, etc.Wrong! Apparently the main problems of McNeill's typology of gestures, that has sent many an engineer on a wild goose hunt for iconic gestures, are now even recognized at the source (McNeill, 1992). It is not mutually exclusive but rather an index of the functioning of a gesture ('as a beat' - 'through spatial reference (deictic)' - 'referring thorugh iconicity to something concrete' - 'referring via iconicity first to something concrete and second through metaphor to something abstract'). Good. I never liked 'beats' for example. I don't think I ever saw one. But to say that it was a misconception... I vaguely recall an annotation procedure called the 'beat filter' that begs to differ. Anyway, at least this clears up the discussions regarding 'metaphoric gestures' considerably [they are de facto also iconic, the metaphor functions on another level]. And it also clears the way for an annotation of this video. Any volunteers? Well, you would have to get a decent file of the movie instead of the YouTube flash stuff anyway, so let's forget about it. McNeill wrote a new book recently (2005) which is mostly about growth points. But before you read the summary by McNeill you might want to check Kendon's brilliant poem called 'The Growth Point', which he delivered at McNeill's festen. I find it neatly captures my feelings towards growth points (and more that is beyond my grasp). I am at once awed, baffled, and stupefied when I read about growth points and catchments. And so it goes. Again I tried to get it. Again I failed to learn anything from reading about growth points. One thing only. If David McNeill (or Susan Duncan) is right, then annotating gestures in episodes like this will be eternal hell :-) And without the speech it will not work. Thank God. I can go to bed with a clear conscience. Books: McNeill, D. (Fall 2005) Gesture and Thought. Chicago: University of Chicago Press. McNeill, D. (2000) (Ed.). Language and Gesture. Cambridge: Cambridge University Press. McNeill, D. (1992). Hand and Mind. Chicago: University of Chicago Press.
Wednesday, October 03, 2007
Gesture Definitions
I am going to try and coin some definitions regarding gestures.
A gesture is any act, except speech, by which we intend to communicate something beyond the act itself
This definition includes all normal gestures, that have meaning (the message that was communicated intentionally) because of cultural conventions (including languages) or iconicity, and all such acts (like giving flowers) that serve, mostly through context, as bearers of an additional meaning (like an apology). Speech is viewed as basically the same type of behavior (it fits the definition), but speech is given an exceptional status because of its importance and because it has certain characteristics that set it apart from other gestures. Excluded are all acts which either do not communicate anything (for example because the actor is not aware of an observer) or which only communicate themselves to an observer (”[look at me,] I am fishing/reading/sleeping/walking”).
I further wish to emphase the difference between normal, straightforward gestures and those acts that serve some other purpose in the first instance and only serve as gestures (or rather ‘gestures of something‘) in the second instance like the example of giving flowers to apologize. If I wish to distinguish between these different gestures I will add the term ’simple’ to the first category and ‘complex’ to the second category.
A gesture-simple is a gesture where the (sole) purpose of the act is to communicate
A gesture-complex is first some action but communicates an additional message in the second instance
I tried to find better words to express what I mean, but it’s the best I could come up with so far (it has been brewing for about a year, see one of my first posts).
Note that any gesture-simple may also be a gesture-complex (even a speech act can be a gesture-complex). I tried to explain this with this example of Pee Wee Reese standing by Jackie Robinson in the face of racist fan-abuse. The shoulder embrace was both a gesture-simple and a gesture-complex.
The gesture that touched a nation (source)
There are important reasons for making these distinctions (but I forgot them ). Well, at least it will allow me (and maybe you) to better analyze observations of gesture. And perhaps it is necessary to be precise if you want to make statements about gestures. For example, I think that people can typically see that a movement is a gesture-simple from just its appearance but this is not true for a gesture-complex. I think that people easily miss that an action was intended as a gesture-complex or, vice versa, see/read too much in what was just some action, for example in this cartoon from Garfield:
Jon mistakes Garfield’s intentions (source)
Let us see how far these definitions can take us. Or does anyone have better suggestions?
And a final wild speculation: Women are not able to see a man’s action as just that action but are always convinced it is some gesture-complex (if we do not bring flowers we do not care, if we do bring flowers we have something to apologize for [but we just thought they would be nice on the table]). Men conversely tend to miss most of the complex gestures made by women (when they wear something nice and new to show their appreciation of some event for example). Any takers?
In memoriam: Marcel Marceau, silent yet eloquent
A nice tribute (proceed to many others at YouTube at your leisure) Mime Marceau was born as Marcel Mangel in Strasbourg, France. He died on September 22 this year. From what I gather of the many tributes and obituaries he was an exceptional mime artist. He is often said to have revitalized the art (even singlehandedly ). That he enjoyed world wide recognition is illustrated by an older movie from a trip to Japan, where he is warmly received. Or possibly the Japanese are simply very fond of pantomime? It is strange how this art, which is so cherished and admired by some, is unappreciated by others. The wikipedia says: “Of [Marceau’s] summation of the ages of man in the famous Youth, Maturity, Old Age and Death, one critic said: “He accomplishes in less than two minutes what most novelists cannot do in volumes.”. But if you read research on gesture or sign language, pantomime is often what the writers set themselves off against. It is often used to make distinctions between that which is studied (linguistic or at least semiotic systems) and that which is not studied (mere pantomime). There are also those who seek to distinguish different gestural mechanism in signed discourse (where signers may alternate pantomimic and lexical/grammatical strategies to convey meaning) who talk about ‘gesture versus sign’. To me that is a strange distinction, for even ‘frozen’ (in the sense of Cuxac and Sallandre) lexical signs are gestures in my definition. What would be more appropriate is to label it ‘pantomime versus sign language’, if you wish to indicate a difference in level of conventionality. I think it could be very productive to study the mechanisms by which mime artists create meaning or express themselves. In countless gesture studies the iconic nature of gesture has been treated (from Tyler (1870) to Mueller (1998)). Each time the same mechanism emerge: meaning is created through imitation of acts, through embodiment, and through molding and sketching in the air. The same appears to be true of pantomime. At least those strategies are certainly used. But there may be more. Poetry pushes the boundaries of what can be done with spoken or written language. Perhaps mime as an art form pushes the boundaries of what can be done with gesture? I believe sign language poetry and pantomime are brothers in arms. Not only is beauty thus created, but people are shown new ways to express themselves more eloquently in gesture. Obituaries (among many others) in The Times, and on BBC News. Update October 2: There is a hilarious Dutch parody of a meeting between Marceau and Ivo Niehe, from Koefnoen (video).
Monday, October 01, 2007
Buckingham Palace Plonker
On the YouTube: Buckingham Palace Plonker. "Shocking behavior by one of the Queen's Guards in front of Buckingham Palace. Exclusive footage never seen before in front of Buckingham Palace." (little dance - checking time)Elsewhere the Telegraph reports: "The video clip shows him turning his head - apparently to catch the attention of a colleague - before shaking his right fist up and down. Perhaps realizing that he is being watched, he quickly morphs the gesture into a more typical if slightly camp wave, before resuming his sentry duty." That is a nice and detailed analysis of the gesture that the Foot Guard is making. A wanker gesture that is camouflaged by morphing it into a wave. I concur. And whoever made the analysis, please keep up the good work. Update 1 hour later: It could also be a combination of 'wanker' and 'hurry up', possibly sending a message like 'hey wanker, hurry up". Maybe his colleague was slow on his routine? (see the comments in the Sun)
Thursday, September 27, 2007
Evolution according to Tomas Persson & Co
[email] Hi Jeroen, Happened upon your blog. Thought you might enjoy this paper on a proposed iconic-gestural origin of language. Or perhaps another of the publications [from SEDSU]. All the best, Tomas PerssonFrontpage illustration from the paper. Well, I checked it out and for all those interested in evolution it might be nice to do the same. The paper's full title is 'Bodily mimesis as “the missing link” in human cognitive evolution', by Jordan Zlatev, Tomas Persson and Peter Gärdenfors. First impression: Strange how people tend to think that the topic of their study (in Lund's case it is a workpackage on 'imitation and mimesis') is the one decisive factor in human evolution. And I never have a shred of evidence to prove them wrong. But it will be interesting to read their case in more detail. {I, for one, believe that it is our ability to blog that sets us apart from other animals. And, of course, I mean blogging in a broad sense. For what is blogging if it is not the continual provision of unelicited non-information on how we feel about things and about what we know. Humans have always 'blogged', even before the internet and before the alphabet. We filled the world with our own thoughts and listened to ourselves, not to anyone else. This constant egoistic reflection created an evolutionary pressure whereby only individuals who could sustain this confrontation with the inner blogger, were still confident enough to reproduce. Since then, most of the strains of humanity who had any shame or humility left have died out in (relative) silence. What is left is what we are now: wanderers of the web, captains of comments, and slaves to our next posting}
[SEDSU's main hypothesis:] There remains, despite centuries of debate, no consensus about what makes human beings intellectually and culturally different from other species, and even less so concerning the underlying sources of these differences. The main hypothesis of the project Stages in the Evolution and Development of Sign Use (SEDSU) is that it is not language per se, but an advanced ability to engage in sign use that constitutes the characteristic feature of human beings; in particular the ability to differentiate between the sign itself, be it gesture, picture, word or abstract symbol, and what it represents, i.e. the “semiotic function” (Piaget 1945).Substantial work has of course been done on gesture (or sign language) with primates (see this entire issue of Gesture). In some cases chimpansees or gorillas were taught to use gestures or pictures as signs (with a semiotic function). How does that fit into SEDSU's picture? By intuition, I would sooner propose that it is our ability to create 'systems of systems' of signs that sets us apart. Or maybe our ability to create and remember such large quantities and varieties of signs. I think even most animals and perhaps (what the hell) plants can be argued to 'gesture'. Do they differentiate between a signal and that which it represents? I think they do. Any animal that warns his group against predators is sending out a signal. The group members see the signal, not the predator, right? Or perhaps they can only communicate about what is actually present and not refer to things in other times and places? Enough speculation. It is time to read. I expect your reactions to the paper within this week... ps. Did you wonder about the semiotic function of the {curly brackets} as used above? Then you must be human. The answer: I signaled a humorous intermezzo.
Monday, September 24, 2007
Air Guitar Toy by Mannak
Art of Gesture on Stage
Microsoft Surface
Tuesday, September 18, 2007
Deafblind Haptic Sign Language
Saturday, September 15, 2007
In Love with SiSi
BBC News: Technique links words to signing: Technology that translates spoken or written words into British Sign Language (BSL) has been developed by researchers at IBM. The system, called SiSi (Say It Sign It) was created by a group of students in the UK. SiSi will enable deaf people to have simultaneous sign language interpretations of meetings and presentations. It uses speech recognition to animate a digital character or avatar. IBM says its technology will allow for interpretation in situations where a human interpreter is not available. It could also be used to provide automatic signing for television, radio and telephone calls.Read the full story at IBM: IBM Research Demonstrates Innovative 'Speech to Sign Language' Translation System Demo or scripted scenario? Serendipity. Just this week a man called Thomas Stone inquired whether he could get access to the signing avatars of the eSign project. I passed him on to Inge Zwitserlood. She first passed him on to the eSign coordinator at Hamburg University, which was a dead end. Finally, he was pointed to the University of East Anglia, to John Glauert. And who is the man behind the sign synthesis in SiSi? From the press release from IBM:
John Glauert, Professor of Computing Sciences, UEA, said: "SiSi is an exciting application of UEA's avatar signing technology that promises to give deaf people access to sign language services in many new circumstances." This project is an example of IBM's collaboration with non-commercial organisations on worthy social and business projects. The signing avatars and the award-winning technology for animating sign language from a special gesture notation were developed by the University of East Anglia and the database of signs was developed by RNID (Royal National Institute for Deaf People).Well done professor Glauert, thank you for keeping the dream alive. Now for some criticism: the technology is not very advanced yet. It is not at a level where I think it is wise to make promises about useful applications. The signing is not very natural and I think much still needs to be done to achieve of basic level of acceptability for users. But it is good to see that the RNID is on board, although they choose their words of praise carefully. It is amazing how a nice technology story gets so much media attention so quickly. Essentially these students have just linked a speech recognition module to a sign synthesis module. The inherent problems with machine translation (between any two languages) is not even discussed. And speech recognition only works under very limited conditions and produces limited results.
IBM says: "This type of solution has the potential in the future to enable a person giving a presentation in business or education to have a digital character projected behind them signing what they are saying. This would complement the existing provision, allowing for situations where a sign language interpreter is not available in person".First, speech recognition is incredibly poor in a live event like a business presentation (just think of interruptions, sentences being rephrased, all the gesturing that is linked to the speech, etc.) and second, the idea that it will be (almost) as good as an interpreter is ludicrous for at least the next 50 years. The suggestion alone will probably be enough to put off some Deaf people. They might (rightly?) see it as a way for hearing people to try to avoid the costs of good interpreters. I think the media just fell in love at first sight with the signing avatar and the promises it makes. I also love SiSi, but as I would like to say to her and to all the avatars I've loved before: My love is not unconditional. If you hear what I say, will you show me a sign?
Thursday, September 13, 2007
Doodling, Gesture, and Language Origins, the Movie
Sunday, September 09, 2007
Lead Guitar Body Language
Friday, September 07, 2007
Baby Sign Mini Dictionary Flash
Thursday, September 06, 2007
Plains Indian Sign Language, Browning 1930
Following the 1930 Plains Indian Sign Language Conference, General Scott intended to produce a cinematic dictionary of over thirteen hundred signs. Due to the Great Depression it would have been too difficult to get a second appropriation bill passed through congress to finish the cinematic dictionary. He did manage to get over three hundred signs filmed. (Note from Tommy Foley)An important documenter of the Plains Indian Sign Language was Col. Garrick Mallery. He wrote 'Sign Language Among North American Indians Compared With That Among Other People And Deaf-Mutes' a report for the Smithsonian Insitute which was published in 1881, which is avaliable for free download as an e-book via Project Gutenberg.
Monday, September 03, 2007
Wiki Interactive Gestures
Tuesday, August 28, 2007
Signed Story Click, Clack, Moo
Monday, August 27, 2007
Gesturing Vervets and Sexual Harassment
"The monkeys grab their breasts, and gesture at us while pointing at their private parts. We are afraid that they will sexually harass us," said Mrs Njeri.Well, that is an interesting statement by Mrs Njeri. In the picture below you can see a vervet monkey next to a couple of children (from the Colobus Trust website, which also has more info on pest behavior by vervet monkeys) Vervet Monkeys (source) It must be said, these monkeys are not very big and the idea of 'sexual harassment' seems to me at first glance to be a tale of imagination gone wild. What are they going to do? Pinch a ladies bottom? Squeeze a boob? Certainly that is as far as they can go? Or is it? Perhaps I am thinking in the wrong direction. Perhaps sexual harassment is more like psychological warfare? Indeed, wikipedia states on sexual harassment that it can include many types of behavior and has a variety of purposes, most of which appear to be psychological rather than directly involving sexual intercourse. Dominance and humiliation can be important parts of it. From wikipedia we also learn that Vervets seem to "possess what has been called the "rudiments of language". Vervet Monkey alarm calls vary greatly depending on the different types of threats to the community. There are distinct calls to warn of invading leopards, snakes, and eagles." Now, there is an excellent web page on The Phallic Threat: Giant Penises and Similar Threat Devices. From it, I gather that the idea of a phallic threat is not unheard of, but instead common in both men and monkeys. Specifically on Primata, it is stated that Vervets have the folllowing use of the penile display.
penile display: This is when an adult male vervet monkey will present his erect penis and scrotum so that a neighboring group will see them (Estes, 1991). This display is used to demarcate territory (Estes, 1991). red-white-and-blue display: This display is used to communicate dominance by one male over another within a group (Estes, 1991). The male walks back and forth with his penis and scrotum in full view for the receiver to see; the sender will encircle the receiver (Estes, 1991). Occasionally the sender will stand on his hind legs and present his penis and scrotum to the receiver (Estes, 1991).Moreover, the pigmentation of the Vervet Monkey's scrotum is a vivid blue that pales when the animal falls in social rank. In other words, Vervets may perhaps refer to their dominance over someone else by referring to the color of their genitals. So now we may have (1) an ability to communicate a variety of message, (2) a phallic threat with (3) a reference to dominance. Suddenly it is not so difficult to imagine that it is real. Or at least as real as sexual harassment gets. If the monkeys mean to express their dominance, mark their territory or humiliate the women and the women feel dominated or humiliated then that is a successful (if you will pardon the expression) case of sexual harassment. Unfortunately we cannot be sure of anything from such a distance. The whole story could just be exaggerated. It could even be an excuse for the villagers to start physically harassing the monkeys. Elsewhere: Atheism Central on this story A YouTube playlist on monkeys and their penal displays
Tuesday, August 21, 2007
US Police vs. The Finger
MOBILE, Ala. - The city of Mobile is appealing a judge's decision to award $3,000 to a motorist who was arrested for making an obscene hand gesture to a police officer. City attorney Ashton Hill said Wednesday the city is seeking to have Addison DeBoi's civil suit heard in circuit court. On July 31, District Court Judge Michael McMaken ruled in favor of DeBoi in his wrongful arrest suit and ordered the police department to pay $3,000. DeBoi, 56, was arrested by Officer Bristol Hines on Sept. 2, 2005, on a charge of disorderly conduct after he made a hand gesture while the two men were in their vehicles. He was acquitted last year and sued the city for $10,000 in damages, citing time lost from work, the threat of losing his engineering job , which requires a government security clearance , and the embarrassment of being put in jail. In awarding him $3,000, the judge said police officers must have "thicker skin" than the general public.The rulings by the judges in the Netherlands and Alabama are along the same lines: the police should be less sensitive about being insulted. Unfortunately, being sensitive to insults is probably required if you do not want your authority challenged. Sensitivity lies at the heart of the perception of insults, which is a very subtle process. If the police are instructed to 'not be too sensitive' it probably greatly hinders their functioning. After all, we all rely on their judgment in all sorts of situations regarding aggression, violence, or misconduct, which all require a policeman to rely on his personal perception of other people's behavior. Why can't we rely on them to judge whether someone was 'insulting'? On the other hand, I was once taught how to referee a football game by none other than Mario van der Ende (a well known referee in Holland). He said that verbal abuse was always flying around on the pitch, most of it directed at him. He recommended to pretend not to hear it the first time (tempers can fly). A second time he would rebuff the perpetrator with a sneer or mocking insult of his own. Only if that wouldn't take care of it, a booking (yellow card) would be given. I think it made him one of the most respected referees in the competition. Maybe respect is gained as much from restraint in handing out punishment as it is from punishment itself. ps. I just finished this post when I saw that the UK police gave a man a 80 pound fine for giving the finger to a speed camera (and/or the cops operating it). I hope Simon Thompson (a respected citizen and school headmaster) will fight the decision, and let it go to court. I wonder whether the UK judge will follow the above examples from Alabama and the Netherlands. Elsewhere: The legal history of the finger (also showing many examples of verdicts and appeals where fines for fingers are overturned and arrests judged to be wrongful) - Jalopnik
Monday, August 20, 2007
Virginia is for Gangsters and Lovers
"The Virginia is for Lovers "Live Passionately" campaign will remove images of models making the hand gesture, one of several signs associated with the Gangster Disciples, Virginia Tourism Corp. officials said Friday. The gesture shows thumbs and index fingers formed into a heart."I looked up the Gangster Disciples, and I checked Gang Signs, and more Gang Signs, and the most complete Gangster Hand Sign Index, where I found the following sign indeed shown as one of the Black Gangster Disciples: We have a match. Now the question remains: is it a wise decision to remove the image from the ad campaign? It is hard to judge from a distance. However, I do not think it was necessary, because it is nearly impossible that actual misunderstandings would arise from the use of the picture. Given the clarity of the image and the text on it, I cannot imagine anyone believing that this lady is flashing a gangster sign. Any gesture that is used as a conventional semiotic sign, or symbol, is what people choose it to be. If the producers of this campaign and the public that is adressed with it both agree that in this context it conveys something like 'love/heart/passion', then so be it. Other people in other contexts or other countries are free to attach their own meaning to the gesture. But, even though I can see no principled reason to scratch the image, it is understandable to do so anyway. Personally, I do not find it a very good picture, nor do I think that introducing a special gesture for a fairly complex message is going to be a succes (do they actually think people are going to adopt it in some way?). And why grant a bunch of gangsters a good laugh if you can avoid it (although they are probably already laughing their heads off from all the free publicity). In that sense, it is damage control to remove the picture. The best thing might have been to completely ignore the complaints and turn a blind eye to the gangster's sign. In that way, the gesture might have even been seen as ridiculing the gangster sign. Anyone flashing it could be mocked as a supporter of the campaign 'Virginia is for Lovers' instead of being a hardcore gang member. I admit, it probably wouldn't work that way, but it would have been better than granting the gangster disciples this PR victory. Other post on MS13 and gang gestures.
Thursday, July 19, 2007
Gesture Watch from Georgia Tech
Activate! The Gesture Watch has five infrared sensors, four of which sense any hand motion that occurs above the watch. If the user is wearing the watch on his left hand, he can move his right hand over the watch in an up or down, left or right, or circular motion. Different combinations of these movements communicate an action to the watch. (source)Why do such applications receive so much credit in the various tech news sites and magazines? The only thing happening is that a couple of engineers have put together a neat device that can do a trick. It's not commercially available, there are no real users yet, there is no positive market feedback. There is only a vague promise of solving a vague problem. Discovery Channel: It won’t be long now before all electronic devices go "nano," and shrink to the size of frosted mini wheat square. You won’t know whether to turn it on or eat it. But the real question is: How do you press those teeny buttons? I know that writing an opening line can be hard, but this one has fallen straight from the sky on the willing imagination of Tracy Staedter (the reporter in question). Did she not notice the big display on the iPhone? People may not want tiny devices at all, because they need displays. And yes, they may also require decent buttons from their devices. In other words, the premises of the promises are promiscuous (sorry, couldn't resist); reporters are trading in their objective reflection for a nice soundbite.
Tuesday, July 17, 2007
Gesture Remote Control for TV
Thursday, July 12, 2007
Gesture Wellformedness
Monday, July 09, 2007
Can I Learn How to Sign?
Summary: This thesis explores the relationship between linguistic and visual aptitude and sign language learning to see what abilities are necessary for sign language acquisition and whether these differ from spoken language acquisition. 29 Students enrolled in a Sign Language minor took four tests before the start of their practical sign language course: a Sound Discrimination test, a Sign Language test, a Shape Discrimination test and a Visual Spatial Discrimination test. The Sign Language test was constructed for this thesis and focused on phonological and phonetic alterations of handshape. The other tests originated from aptitude test batteries. After seven weeks of sign language instruction, the students took a proficiency test that tested their receptive and productive sign language skills. This proficiency test was constructed by the sign language teacher and was the student’s final exam for the course. 18 Students remained who had taken all five tests. Correlations between the four tests and the proficiency test show that the Sign Language test has a decent, but insignificant correlation with Reception. The Sound Discrimination test did not show a relationship and the Shape Discrimination test had a steady, but low and insignificant relationship. The Visual Spatial Discrimination test correlated negatively with Reception. This was the only significant correlation between the four tests and the proficiency test. It is likely that the subject group was not varied enough and all subjects performed above a certain critical level. I conclude that sign language learning appears to require different abilities from spoken language acquisition, but the current subject group is too small for a definite answer.Chantal's spot on the web (in Dutch). Some believe even dogs can learn sign language ... (I disagree, they are learning hand signals, or gestures, but nothing beyond that)
Tuesday, June 26, 2007
Small Penis Gesture
Monday, June 18, 2007
A Band called Obscene Gesture
Pallete, the Studiolab Surface
Dear All, Next week on wednesday I'm graduating on the design of a rich media tool for supporting conceptual design sessions. The result of this project is a gesture-based multi touch interactive table-top called Palette. With Palette multiple people can collect and generate design relevant content during conceptual design sessions by having direct control over the touchable media. I would like to invite you to my presentation which is on wednesday the 27th of june starting at 13:45h in room 4B-65/66 in the faculty [map]. Kind regards, Arjen Klinkenberg